Second Interior brings together paintings by Olivia Drusin and sculptures by Steph Gonzalez-Turner, staging passage through architecture as a condition of subjectivity. Two hallway paintings establish a directional field, while two monolithic wooden forms translate linear movement into vertical accumulation. Saturated in the toxic pigment Scheele's Green—a color that recalls Hitchcock's film Vertigo—the works explore how transitional spaces reorganize the body, suspending it between fixed identities and producing a subject in transit.