
Çağla Köseoğulları: Seeping Into the Horizon brings together works on paper and video exploring bodily memory, gesture, and the threshold between image and surface. Blue ink spreads through stains and dispersions; charcoal traces record fleeting impressions from landscapes seen through a moving train window. What remains is never the scene itself but its residue — a stain of what was seen, a trace of what was remembered. The horizon functions here as an object of desire that continually recedes, never fully grasped.