Alison Rossiter: Semblance presents camera-less photographs using expired photo papers dating back to the 19th century, developing each sheet to reveal marks left by time. Some works expose damage and chemical shifts as minimalist abstractions; others use angled dips or poured developer to form geometric or fluid compositions. By activating these long-dormant materials, Rossiter foregrounds their history, endurance, and quiet, overlooked beauty in a digital age.
