In Siluetas Simultáneas, Guzmán Capron constructs figures from hand-dyed, hand-painted textiles that function as anthropomorphic dressing screens, with abstracted forms shielding more legible figures beneath. Partially veiled, the figures engage in moments of pleasure and rest, enabling states of guarded vulnerability while inviting the gaze of the viewers. Each textile is produced from scratch, dyed and assembled like a garment. Across the works, figures merge and separate, holding multiplicity without resolving it—identity kept open, plural, and unfinished.
