In SOIL, Adams reflects on questions of place, memory, and emotional terrain to create psychological landscapes rather than fixed imagery. In this way, each painting becomes a world built through experimentation, where memory, intuition, and material process converge. Rooted in a deep commitment to the possibilities of painting, the exhibition reveals Adams’s continued mastery of color, surface, and gesture, whilst affirming the color black as a generative ground from which new visual worlds can emerge.
