Liza Jo Eilers’ Starland silver sash at GRIMM presents new paintings that interrogate pleasure, performance, and visibility. Drawing from pop culture, Eilers questions how women are portrayed and how these portrayals shape collective perception. Her cinematic compositions, interrupted by black painchert or thermally reactive elements, reveal and obscure in turn—probing cycles of self-image, spectacle, and cultural residue within American visual habits.
