Álvaro Urbano’s exhibition at SculptureCenter reimagines Scott Burton’s Atrium Furnishment, a dismantled 1986 public artwork, as a fragmented, evolving landscape. Blending Burton’s marble elements with botanical metal sculptures and a light installation, Urbano links the lost corporate lobby piece to the untamed, queer-coded terrain of Central Park’s Ramble. His work reflects on memory, site, and transformation, questioning how displaced public art can find new meaning in shifting contexts.
