The Last Dream at the End of the World is Tenzin Phuntsog’s second solo exhibition at Microscope. The exhibition presents new sculptural works and multi-channel moving image installations that reflect on exile, cultural loss, and displacement through the artist’s experiences within the Tibetan diaspora. Using technologies such as motion capture, 3D animation, and drones, Phuntsog examines ritual, surveillance, and the transmission of cultural memory across political and physical borders.