IM Youngzoo: The Late 故 explores how superstition, belief, and religious faith take shape in contemporary life, and their unexpected proximity to modern science and technology. IM's work is informed by personal histories of shamanistic traditions and Korea's rapid technological transformation. Yet rather than positioning the two against each other, she treats them as overlapping survival technologies—frameworks through which humans engage with death and existential uncertainty. The exhibition unfolds as a performative site where digital signals and ancestral gestures intersect, blurring distinctions between sensing and belief.
