Judith Linhares’ latest exhibition explores the physicality of paint, transforming her canvases into vivid, theatrical spaces. Influenced by 1950s West Coast poets, her work draws from memory, media, and personal experience. Inspired by Wallace Stevens’ Thirteen Ways of Looking at a Blackbird, her figures—women, animals, and abstract forms—exist as archetypes open to interpretation. Works like Kiss, 2024 merge dreamlike imagery with dynamic compositions, inviting boundless imagination.
