With this new body of work, Dávila continues his investigation into one of sculpture's most elemental gestures: the act of placing one thing in relation to another. Rather than transforming materials through carving or modeling, he works through deliberate positioning, arranging elements so that relationships and tensions emerge between them. Stones, concrete, steel beams, sandbags, and geometric volumes come together in configurations that appear both precise and improbable, registering weight, gravity, and balance in newly perceived ways.
