Nicodim New York presents Tomas Harker’s Endless Romance Forever, his first solo in the city. Paintings of gold, glass, and masks probe how surfaces seduce and conceal as belief frays. Between invitation and unease, motifs like The Cherry Tree and Nosferalgia track afterimages of desire—cinema’s dream logic and image flood—where enchantment hides instability and meaning stays in motion beneath the visible.
