Tomorrow’s Not What It Used to Be marks Anthony Miler’s second solo exhibition at The Pit, presenting new paintings and his debut series of aluminum sculptures. The works explore tension between illusion and materiality, perception and form. Miler’s eye motifs evoke presence and reciprocity, while his sculptures echo geological compression. Through oppositional layers and subtle distortions, he invites reflection on how we see, relate, and exist within uncertain temporal landscapes.
