Jinie Park: Twins presents thinly layered, translucent assemblages of linen, muslin, and hand-woven fiber in which dual panels of Korean Kwangmok and Sambe — fabrics traditionally used for garments and burial — are stained with diluted acrylic, cut open, and inverted to expose their undersides and cast shadows on the wall behind. The openings function like doorways between rooms; the paired canvases like mirror images of two figures sharing a space. For Park, painting and the four-walled room share the same principle — the square — and the surface operates as both window and partition, mechanism for shifting perspective.