Igshaan Adams’ Verkenning at Casey Kaplan features tapestries, sculptures, and weavings that explore movement as a way of decoding communal and personal histories. Drawing from his experiences under apartheid, Adams uses maps, dance prints, and found materials to reflect migration, memory, and transformation. His works, rooted in resistance and healing, reimagine rigid landscapes as sites of resilience and hope, inviting a rethinking of identity shaped by collective and individual action.
