
Vibrancy, Vibrancy, Vibrancy, Zheng Bo’s first New York solo at Kiang Malingue, gathers videos and drawings made with coral reefs, forests, and landscapes. Rooted in ecological interdependence, the works approach time as living matter and foreground nonhuman agency. From coral lagoons to primeval pines, Zheng invites viewers into multispecies encounters that dissolve boundaries between the aesthetic, political, and erotic.