Wangari Mathenge’s *Re-membering*—her first Lévy Gorvy Dayan solo—debuts sculpture alongside five new paintings. Drawn from Ngũgĩ wa Thiong’o’s Something Torn and New and research on Kenyan colonial literature and objects (1900–1963), colorful overhead views show lone figures amid books, textiles, and objects. Themes track culture, memory, landscape, and recovery after colonial rupture.
