de boer (Los Angeles) presents new work by Australia-based artist Saxon Quinn. Titled after a reimagined lyric from the Viagra Boys, the exhibition connects humor and intimacy to memory and cultural critique. Quinn’s seven sculptures combine ceramic, paint, and found material in fractured heads that shift between personal and archetypal. Each rests atop a book or zine, turning literature into structure and support. The works unfold as excavations of memory, disparity, and fragile emotional terrain.
