In We Know That We Know, Chiara No transforms domestic objects into vessels of memory and resistance, using rugs, bells, spoons, and chairs to tell erased or distorted histories. Gossip—stories shared for care and survival—anchors the work as coded knowledge and protection. Collaborators contribute with a gossip chair, surreal interiors, and fiber sculptures, emphasizing memory, trauma, and storytelling as tools for connection and defiance.
