Marcel Schwittlick's White Show explores a decade of human-machine interaction through three interconnected bodies of work. At its core, the exhibition examines the cursor as both a personal artistic tool and a record of digital gestures. By transforming scientific annotations into physical and tactile compositions, Schwittlick bridges technology and materiality. His works juxtapose personal and collective movements, highlighting the cursor’s role in shaping the evolving relationship between human intent and autonomous systems.
