Fang’s work is grounded in myth, abstraction, and poetic temporality, often circling the symbolic threshold of dusk. For him, dusk is not merely a natural phenomenon but a liminal state where fading calm intersects with the emergence of instinct and uncertainty. Informed by the symbolic depth of Greek mythology, the structural rhythms of Chinese calligraphy, and the layered surfaces of contemporary abstraction, his compositions interlace order and disorder, situating him within a compelling lineage of painters negotiating chaos and harmony as intertwined forces.
