Zoe Walsh’s technicolor paintings oscillate between abstraction and landscape, drawing from queer archives and personal photography to depict faint, glowing figures in vivid environments. Using 3D software, silkscreening, and stenciling, Walsh merges time, space, and memory into layered compositions that question the limits of painting, archives, and identity. Their work offers a new visual language for queer presence across history, rooted in research and experimental image-making.
