Mid-City

Roberts Projects presents I Bring Home with Me, Amoako Boafo’s third solo exhibition with the gallery. The exhibition centers on new paintings installed within a full-scale architectural reconstruction of the artist’s studio in Accra, conceived in collaboration with Glenn DeRoche. Through portraiture and spatial design, the work considers Black subjectivity, community, and the relationship between personal experience and place.

Jan 17 - Mar 21

Feb 21 - Mar 28

Siphoning is Tyler Park Presents’ third solo exhibition with Los Angeles based artist Daniel Ingroff. The presentation brings together new paintings made over a three year period that examine uncanny relationships between human figures, objects, and landscapes.

Feb 21 - Mar 28

Strange Days of a Quiet Sun presents new paintings by Ken Gun Min, including a monumental double sided folding screen. Botanical landscapes stage figures, animals, and symbols that draw from Western and Eastern art histories, political imagery, and queer narratives. Embroidery, beading, pearls, and hand applied materials expand the surface, addressing memory, militarized histories, and resilience.

Feb 21 - Mar 28

Paul Winstanley’s ninth solo exhibition at 1301PE, Utility, presents new paintings that continue his exploration of vacant spaces and the everyday. Depicting veiled window views, empty lobbies, and graffitied pedestrian walkways, the works examine how painting transforms familiar, melancholic environments and questions how images and meaning are constructed.

Feb 21 - Apr 4

StarBound is Maya Man’s second solo exhibition at SOOT. Centered on the AI video based generative work StarQuest, the exhibition includes related canvas works and soft sculpture installations. Moving across digital media, performance, and installation, Man examines how identity, labor, intimacy, and agency are constructed and mediated within hybrid physical and virtual environments.

Feb 26 - Mar 28

Moran Moran presents PLY WOULD by Lizzie Fitch and Ryan Trecartin, featuring a sculptural theater housing two interconnected films and standalone sculptures. Part of their ongoing project Whether Line, the installation draws from a rural Ohio site to examine territory, identity, and systems of control. The films use layered editing and digital animation, while scaled figurative sculptures function as structural elements within the narrative environment.

Feb 21 - Apr 18

In Aragonite and conchiolin, Emma McIntyre presents new paintings that probe paint as substance and event. Named for the materials that form pearls, the works shift between microscopic matter and sweeping composition. Pools of pigment, rust, vermilion, and iron oxide react and transform, accelerating processes of change. Gestural marks, impressions, and layered images accumulate into charged surfaces where material instability becomes visible and immediate.

Feb 24 - Apr 4

Gagosian presents an exhibition of new tennis court paintings by Jonas Wood. Depicting professional and Olympic matches from a baseline perspective, the works continue a series begun in 2011. Rendered in saturated color, the courts appear without players and at times incorporate domestic interiors, studio views, and references to Roy Lichtenstein, extending Wood’s engagement with abstraction and popular imagery.

Mar 12 - Apr 25

Perrotin Los Angeles presents *Horizons*, JR's first solo exhibition at the gallery — bringing together large-scale photographic interventions created across California, from San Francisco to the US–Mexico border. Since 2011, JR has returned repeatedly to the state, installing works across its varied terrains: building facades, prison yards, and border infrastructure. Each transforms built environments into places of encounter and empathy. The horizon — always receding, never possessed — is the animating metaphor: a boundary that shifts our perspective, spatially and conceptually.

Mar 14 - May 30

A solo exhibition by Brazilian artist Zé Tepedino, presented across Ysasi Gallery in West Adams and Espasso’s West Coast gallery as a collaborative project rooted in cultural exchange and community. The show centers on an immersive installation built from a 24-hour film captured during Carnival in Rio de Janeiro, layered with the city’s sound to evoke rhythm, collectivity, and spatial experience. Works from the artist’s studio are shown alongside site-specific pieces produced in Los Angeles, spanning film, installation, photography, and material experimentation.

Feb 28

Hopes and Fears presents new paintings by Tristan Unrau across three gallery spaces. In his first exhibition with the gallery, Unrau works across varied styles and art historical references, combining source imagery, including material generated with diffusion models, into hybrid compositions. The paintings examine authorship, perception, and the role of style in contemporary painting.

Mar 19 - Apr 25

Elizabeth Murray and Betty Woodman brings together over three decades of work by the two artists. Juxtaposing Murray’s shaped canvases with Woodman’s ceramic sculptures, the exhibition highlights their explorations of surface, form, and the relationship between two- and three-dimensional space. Spanning 1982 to 2016, the presentation foregrounds their expanded approaches to painting and sculpture.

Mar 19 - Apr 25