Mavis Pusey’s "Mobile Images" at the Hammer is the first major museum survey of the Jamaican-born abstractionist, with more than 60 works from her 50-year career. Hard-edge paintings, lithographs, and screenprints draw on fashion and city architecture, while her "Broken Construction" series uses destruction and renewal as metaphors for change.
Collection of the Studio Museum in Harlem, Mavis Pusey archive
