Meg Webster presents new sculptures and drawings following Webster's major exhibition at Dia Beacon. The centerpiece, Thicket (2026), layers plant cuttings into a dense spiraling structure wide enough to enter, making the body an active participant in the work. New drawings on paper use organic materials — spices, powdered vegetables and flowers — rubbed directly onto square sheets, centering color, texture, and scent. A three-part beeswax sculptural relief extends this engagement with embodied perception. Throughout, Webster continues her four-decade practice of bringing natural materials into dialogue with Minimalism's formal vocabulary.
