Toshihisa Yoda: Continuum, 1967–Today traces six decades of the quietly enduring painter's practice through 30 works, from early geometric abstractions made with masking tape to recent paintings that demonstrate continued evolution. Arriving in New York from Japan in 1967, Yoda immersed himself in the downtown art scene while remaining steadfastly committed to his own language of abstraction — gentle color accumulations, rhythmic brushwork, and meditative composition drawing on both Japanese tradition and the visual geometry of New York's cast-iron facades and aging bridges. Presented in two consecutive parts at NowHere's new Lispenard Street gallery, the survey also marks a homecoming for the gallery itself.
